
“Up there, time was like a rubber band, stretching out long and taut, only to snap back the moment he let go, making it impossible to keep track of its passage.”
It starts with a strange toilet scene. At the top of a chimney, almost 45 meters high. He has learned how to survive there. “Yi Jino has set up his toilet on the opposite site of the catwalk, as far away from his tent as possible.” After doing his best to find out the right material to collect his ‘doo-doo’, he finally reached the conclusion that the porridge container is the perfect one for the makeshift toilet. He is protesting this way. Jino is in his mid-fifties and had been a worker in a factory for 25 years.
In the beginning, I was getting the miasma of Marquez in this story, when someone was eating a living salamander, and a legend of Juan Daek, a woman with broad shoulders and muscular limbs who once looped a noose around the neck of a big pig, as big as her own size in the water, and locked her arms around another small pig’s neck and brought them out, but soon when the working class struggle of the factory workers started, it reminded me of Gorky, a book on such a topic I had read years ago. ‘The Mother’ perhaps. The book takes you to the turn of 20th century Korea. Japanese occupation of the Korean Peninsula. Confucian village schools were replaced by Japanese sohakgyo; in more common sense, it would be called “normalization schools.” Hwang Sok-yong says that his style is “mindam realism” mindam is something between folklore and plain talk- An oral form of history making. Mater is mountain in Japanese. Mater 2-10 was a locomotive that was captured during the Korean war. It shows an enduring image of Korean war. It’s a multigeneration tale and features industrial workers as its main characters.

I knew little about the history and geographical tussle of the region, but this book gave me an idea of the insider’s perspective. They are nameless activists, workers and common people. The interesting thing that I found in the book is how the dialogues and scenes were created around the
ecosystem of ‘railroad constructs’ in the peninsula. It deals with the Japanese colonialism and the fight and aspiration of rail road laborers, at many places it created an enlightening discourse for me. It was something new for me. Though in the middle part I lost some interest due to so many
historical and confederate accounts incorporated, and the book looked like a historical account of a struggle, but as soon as I started hating it for the same, the novelistic cadence of the book was reinstated by the author, that took me to the end of the book.
This is the story of the author’s hometown and the working class living there, being a personal beholder of the things around, the author has been able to create the ’emotional deluge’ to drench a reader like me, but it was not abundant for me. Overall the book was a good exploring experience for me that gave me an understanding of the geography, politics, colonialism and struggle of a working class. As the author writes at last,
“Instead of famous faces of Korean history that already star in countless text, I modelled the characters in this book after the many workers who have been reduced to historical specks of dust.”
I agree to a great extent.
19th Century 20th Century Adventure Africa American Asia Booker British Literature Children Classic contemporary Crime Detective Drama Essays fantasy French Literature German Literature Gothic Historical Fiction Horror Humor India Indian Literature magical realism Memoir Music Mystery Nature Netgalley Nobel Prize Non Fiction Novel Novella Philosophy Play Poetry Race Romance Russia Russian Literature School Short Stories War Women

